Poetry x 12: A.R. Ammons

As part of Dana Guthrie Martin's Poetry x 12 challenge for January, I read A.R. Ammons' Uplands, published in 1970. My poetry knowledge is sparse, so comparing this book to those of its day and with what is being written today isn't something I can really do. I picked the book from the list on Wikipedia. Some heavy hitters were publishing that year: Ashbery, Brooks, Strand, Merwin, to name just a few that I recognized. Why Ammons then? Well, it was available at my library and I'd never read anything by him. And so I dug in:

Semicolons. Lots and lots of semicolons. Apparently, this was Ammons' signature piece of punctuation. They don't dominate every poem in this collection, but they play a strong role in giving the work a sense of continuous flow. My nature is to follow punctuation rules, as if my grade school teacher were looming over me with a ruler ready to swat my knuckles. It's always a pleasure then, to read a writer who has taken control of the punctuation and made it work for him. Prose so rarely lends itself to this kind of manipulation and so, again, another pleasure.

Nature is everywhere in these poems. Not a static description of it, but rather a dynamic view where change is inevitable.With a few exceptions, they felt very contemporary and I continually forgot that these were written 40 years ago. This is what I read on the Poetry Foundation's page on Ammons which perfectly sums up what I liked about his work:

"Ammons rehearses a marginal, a transitional experience[;] he is a literalist [sic] of the imagination because the shore, the beach, or the coastal creek is not a place but an event, a transaction where land and water create and destroy each other, where life and death are exchanged, where shape and chaos are won and lost." -Richard Howard.

Here are a few of my favorite lines, the final stanzas of "Conserving the Magnitude of Uselessness"

for the inexcusable (the worthless abundant) the
merely tiresome, the obviously unimprovable,
to these and for these and for their undiminishment
the poets will yelp and hoot forever

probably,
rank as weeks themselves and just as abandoned:
nothing useful is of lasting value:
dry wind only is still talking among the oldest stones.