Artistic Voyeuristic

Other than a year-long stint in Boston, I've never lived in a dense urban environment. In Boston, I lived in a tiny dorm room on the top floor of a brownstone. From the single bay window, I looked out at the buildings of M.I.T., the Charles River, and the rush of traffic on Storrow Drive. While the view was brilliant, it was an unpeopled landscape, not a portrait. All the windows were too far away, the cars too quick.

Moving to Portland, I fell in love with a different kind of city living, one that made space for porches and gardens and wide sprawling parks. Out my office window now, I get a much more mundane view of my neighbor's patio with its card table, TV and left over football party beer cans. While washing dishes in my kitchen, I see the retired longshoreman in the house next door washing his dishes or watching TV and paying his bills. From my porch, I watch a girl with tattooed arms on the steps of her porch, smoking and watching me.

A certain amount of voyeurism seems commonplace in any urban setting, whether your view is of twenty floors of brick and glass or a single well-lit bungalow. For some reason, the curtains remain open. The lives remain on view. And who am I to turn away?

I was excited to see that a real photographer has gone out and done the project I've always imagined doing. Gail Albert Halaban has created Out My Window, NYC. They are luscious, lonely and yet comforting photos of New Yorkers and their views. Yesterday, the New York Times wrote about her and other Window Watchers. While I'll always prefer my Portland view, it made me long for all the well-lit windows New Yorkers get in a single glance.